Empingated, 2008
Oil on canvas

Grr-Miauu, 2015
Mixed media on wood

Dreamer, 2015
Jacquard tapestry

Damas chinas, 2007
Gouche on amate paper

Camila & Her Flowers, 2018
Byzantine mosaic

Rompe Corazon, 2012
Mixed media on wood

Se te acabó el mamey cabrón, 2003
Gouche on amate paper

Featured Works

I am, 2017

Mixed media on paper
41 ¾ x 29 ½ in.
106 x 75 cm.

Untitled, 2017

Gouache on wood
13 x 15 in.
32.8 x 38 cm.

Under Construction

Please pardon our appearance

05/15/2020

Our website is under construction and there are limited artworks up.

#ArtWhereYouAre

05/06/2020

After careful monitoring of the fast developing global situation Carlos Luna’s studio is now closed to the public until further notice.

In all other respects we will be fully operational, and our staff will be working remotely. We remain committed to our clients and the arts community and are reachable by email, telephone and messaging services.

We will stay connected through our website and social media channels, and will provide new digital engagement between Carlos and his audience.

About

Carlos Luna is a Latin American artist, most notably a contemporary artist. His first few years as a painter were full of vibrant, loving, and defining memories like roosters marking sunrise and sunset, the rhythm of the horses passing by, and the smell of his grandmother’s famous coffee. His work explores across a deep body of work how memories and imagination affect temporal perception drawing deeply upon a rich culture.

Luna is one of the few artists who have mastered multiple mediums including drawing, painting, sculptures, ceramics, mosaics, and jacquard tapestries. In each art form he is highly original, technically sound and constantly provocative.

His vibrant energy can be seen visibly transferred in his artwork. The lions in his drawings come off the paper in full leap, the skeletons casually stroll through the paintings with a tumbao, the men in the works of art grimace and beam, contort and transform. At a first glance the rooster sculptures seem to broaden their chests to crow, while the women he paints regally sit on their abundant skirts that seem to twirl as if in motion.

Luna celebrates the distinctive visual traditions and embraces the combined potential for the expressive strength that they individually possess. For example, the technical skills evident in close examination to his drawings and paintings show him to be fully aware of Western notions of producing light and shade, but he chooses to introduce another level of conceptualization of value associated with light and color; he transposes literary formulations of the similar ideas into the frame.

Luna remains committed to what he perceives as art’s unique capacity to offer seemingly limitless opportunities and extol what most people rarely find in their daily life: an imagery that transcends physical boundaries, a visual tradition that transcends cultural and political divisions, and a guiding moral philosophy.

As a multimedia artist, he provokes the viewer to wrestle with arguments ranging from the importance of social harmony to society’s predilection of beauty. Luna poses questions for his audience that later reveal themselves upon closer inspection beneath the drawings.

Throughout his career as a contemporary artist, Luna has continually investigated and reinvented art with an insatiable appetite for conceptual and visual art experimentation. The result is unanimous critical acclaim and recognition from a growing public.

Carlos Luna

photo by Fernando Armenghol